Adelaide Oval has been described as one of the most picturesque Test cricket grounds in Australia, if not the world. Its importance on the international cricket circuit is undisputed, being headquarters to the South Australian Cricket Association (SACA). Its sporting credentials extend to other areas, with South Australian National Football League (SANFL) also calling it home and the venue playing host to Australian rules football, rugby league and union, soccer and tennis, as well as regularly holding concerts. It has three stands, the Western, Eastern and Southern or Riverbank Stand, all constructed as part of a major refurbishment completed in 2014. The Riverbank Stand boasts a new L-Acoustics Kara system, supplied by Jands, L-Acoustics Certified Provider Distributor for the region. The system delivers improved coverage and intelligibility, all without the need for expensive acoustic treatment.
The 14,000-capacity Riverbank Stand’s 12 stories are covered by a single curved roof which has complex rigging requirements. US-based acoustic design and consulting firm Wrightson, Johnson, Haddon & Williams (WJHW) were brought in to recommend a system for its upper tier audience areas and determined that Kara would be the ideal solution. With a throw distance requirement in excess of 50m in some audience areas, Kara provides coverage and SPL for the entire upper tier audience in a high performance yet lightweight package.
Supporting WJHW designer Greg Swindle, the L-Acoustics Applications team provided electromechanical and system support, with L-Acoustics’ proprietary Soundvision software used to determine the positions and configuration of the arrays.
“Soundvision gives an extremely accurate prediction of coverage, SPL and electromechanical parameters and was a useful tool for the WJHW design team to verify rigging points and system configuration,” explains L-Acoustics Head of Integration, Dan Palmer. “The rigging requirements were well detailed and, in turn, the Soundvision model generated by Greg was used to confirm coverage, SPL, and sight lines, and that all design and performance goals were met.”
Local specialist Novatech Creative Event Technology was initially asked to supply a demo system, which the venue reviewed over a two-month period. It proved so successful that they were subsequently engaged to install the permanent system, which comprises three hangs of eight Kara in an LCR configuration, one hung centrally at the front of the stand’s roof, and the other two hangs positioned equidistantly to either side. All are finished in white to blend with the architecture of the stand. The system is powered by six LA4X amplified controllers, mounted in a custom designed rack located in a temperature-controlled room and running on a UPS.
“The acoustics of the stand is challenging, particularly because of the dome structure roof, which causes large reflections,” says Novatech’s James Sacca. “The directivity from the Kara system meant that we could reduce reflections and increase intelligibility, and the positioning and angles of the speakers achieve a uniform SPL across the audience area, which is exactly what was needed.”
The system also integrates into the emergency evacuation system and existing QSC Q-SYS control system, thereby doubling as an essential component of the venue’s voice alarm system, enabling delivery of clear, intelligible instructions to guests in the event of an emergency situation.
Sacca notes that the infrastructure posed additional challenges, including the production of custom speaker brackets, which had to be engineered to suit the mounting, positioning and angling requirements of the arrays. He adds that the location of the installation, with fixing points situated over 35m from ground level, was probably the most difficult element of the job.
“The collective pool of expertise and cooperation between the teams at Jands, WJHW, L-Acoustics and Novatech made it possible for us to deliver a system that does exactly what is needed of it and more,” Sacca concludes. “Everyone is ecstatic with the result. The influx of un-prompted feedback from the general public after the first event with the new installation was a real testament to its success.”